We downloaded a disc image, ran the installation file contained within, entered some information when prompted, and we were done.įxFactory launched right into its plug-in manager application, a visually pleasing and intuitive interface used to view which plug-in packages you have installed, and enable, disable or modify those packages or the plug-ins contained within. There’s also a handy button for acquiring and downloading additional plug-ins, free or otherwise. We fired up Final Cut and attempted to apply some of the Noise Industries effects to a couple of existing projects. They were located exactly where you’d expect them to be, named exactly what you’d expect them to be named and did what they were supposed to – well, there was a certain amount of experimentation and documentation-checking to see what some of the more oddly-named plug-ins would do, but once we figured out what they were supposed to do, that’s exactly what they actually did.Ĭhecking the documentation was simple, thanks to a prominent and easy-to-use help system included with the plug-in manager. The documentation itself is a little on the sparse side and tends to assume that you have at least some idea of what you’re doing, but it’s perfectly serviceable (as long as you do actually have some idea of what you’re doing, of course). We did find the demonstration and instructional videos available on the Noise Industries website very helpful, both in previewing certain effects and helping us figure out what it was we were looking at. The included plug-ins are versatile, they look good and they render quickly. We can attribute this last feature to the FxPlug architecture, which uses the processor on your graphics card instead of the central processing unit to do the heavy mathematical lifting. Unfortunately, writing a fair review of video effects and transitions is difficult. It’s a bit like trying to review one of those really big, fancy Swiss Army knives, with the multiple blades and utility tools. Is the model with the skinning blade, magnifying glass, tin shears, lemon zester and nose-hair plucker inherently better than the one with just two small blades and a corkscrew? Can you really honestly review it if you’ve never had to sit around a campfire, zesting a lemon while plucking your nose hairs? Similarly, in our video-editing experience, we’ve never had to use a polka-dot transition, and we’ve never had to generate the distorted, rippling image of an oversized barcode. What we can say is that, if we ever did need to do either of those things, we would be very happy to use FxFactory to do it – and of course the more conventional, commonly-useful effects work just as well.
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